Tag Archives: Painting

Bodies in Motion

leah yerpe black white illustration movement

Leaping from the page in an array of balletic poses and moves, the illustrations of Leah Yerpe are marvelous creations. Sketched beautifully in pencil, she achieves a high level of realism and contrast between light and dark. A native New Yorker, she has exhibited extensively across the US.

leah yerpe black white illustration movement leah yerpe illustration black white leah yerpe black white illustration movement

Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.
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Unsolved Art Heists: The Missing Paintings of Vincent van Gogh

An estimated 5 billion dollars’ worth of art and antiquities are stolen each year.1 Naturally, well-known artists top the lists of most valuable paintings ever stolen—The Storm on the Sea of Galilee by Rembrandt van Rijn (Dutch, 1606–1669) and The Concert by Johannes Vermeer(Dutch, 1632–1675) taken from the Isabella Stewart Gardner Museum in Boston in March 1990, a Paul Cezanne (French, 1839–1906) landscape stolen during a New Year’s Eve celebration from the Ashmolean Museum in Oxford in 1999, and a Pablo Picasso (Spanish, 1881–1973) Cubist work and a Piet Mondrian (Dutch, 1872–1944) painting taking from the Greek National Art Gallery while they were short-staffed during strikes.

Vincent van Gogh’s paintings are also among the most frequently stolen. At least 13 of his paintings have been stolen and recovered—two of them twice. Another 85 works have been lost and remain missing. And three other paintings that were stolen are still at large.

Stolen Paintings still Missing
Vincent van Gogh (Dutch, 1853–1890) is best known for his Post-Impressionist paintings such as Starry Night (1889), but the three stolen and still-missing works—Poppy Flowers (1887), View of the Sea at Scheveningen (1882), and Congregation Leaving the Reformed Church in Nuene (1884)—are lesser-known paintings.

Vincent van Gogh, Poppy Flowers, 1887

Van Gogh painted the small oil on canvas Poppy Flowers when he was living with his brother Theo at 54 rue Lepic in Montmartre.2 While in Paris, van Gogh met and painted alongside artists like Paul Gauguin(French, 1848–1903), Edgar Degas (French, 1834–1917), and Camille Pissarro (French, 1830–1903), and this work shows their influence.Poppy Flowers was stolen twice from the Mohammed Mahmoud Khalil Museum in Cairo, Egypt. It was stolen for first time in June 1997, and was recovered 10 years later in Kuwait. It was stolen again in August 2010, and remains missing. In the second theft, according to the BBC,3the work was cut from its frame and the thief easily walked out of the museum. The police blamed poor security: “none of the alarms at the Khalil Museum and only seven out of 43 security cameras were working.” The painting is estimated to be worth US$50 million, which seems high considering comparable sales at auction (click here to see all works that have been up for sale at auction by Vincent van Gogh). And though the museum had only 10 visitors that day, the work and the thieves remain at large.

The two other paintings still missing were taken in one event at the Van Gogh Museum in Amsterdam in December 2002.

Vincent van Gogh, View of the Sea at Scheveningen, 1882

View of the Sea at Scheveningen is an early oil on canvas, painted at a beach resort near The Hague. According to the Van Gogh Museum, van Gogh painted outside, and the windy day depicted left grains of sand stuck in the paint that were still there when the work was taken. The other work stolen from the museum was Congregation Leaving the Reformed Church in Nuene. This painting of the church where van Gogh’s father was the pastor was a gift to his mother after she broke her leg because “she was ‘amused with trifles,’ as he wrote to Theo.”4

To steal the two paintings, the thieves entered the Van Gogh Museum from the roof, using a ladder to get past the security guards and cameras.5 The museum did not blame security, stating that the video cameras and alarms were working; indeed, the alarm went off, but the thieves still escaped. Two suspects were arrested in 2004 and later convicted, but the paintings were never found. Over a decade later, the museum is still offering a reward of €100,000 for information to return the paintings in good condition.6

Vincent van Gogh, Congregation Leaving the Reformed Church in Nuene, 1884

Why steal a van Gogh painting?

With these heists, it is unknown if the thieves sought out specific works, or if they just grabbed whatever was accessible or easiest to steal. Still, there are key factors that make van Gogh paintings likely targets—volume and accessibility of works, the value of the works themselves, and the immeasurable value of van Gogh works that affect their resale value.

Despite his short life, van Gogh was prolific. He began painting in the early 1880s, and shot himself in 1890 at age 37. In that time, van Gogh painted over 850 oil paintings and created over 1,300 prints, watercolors, and drawings. The many paintings in museums, such as the Van Gogh Museum, are on display because institutions are committed to showing his works to the public—which makes them more vulnerable to theft. In the case of Poppy Flowers, the work was so vulnerable that 15 museum employees were charged and convicted of negligence by an Egyptian court.7

The market value of a painting is important to set the reward and insurance value for a stolen work, but it can be difficult to determine. Ed Caesar recently analyzed the value of stolen art in The New York Times. He estimated the black market value of a stolen painting is 7 to 10 percent of the actual market value. When newspapers overestimate the value of a work, it can increase the black market value, further incentivizing thieves. Of another art heist, Caesar writes: “Criminals, presumably, read newspapers—and newspapers had drastically inflated the value of the … missing works.”8 Of course, if a work is too well known, it can be difficult to sell it illegally, and Caesar asserts that many works are instead often traded as black market currency.

Finally, the immeasurable reasons why we love art add a different kind of value to paintings by van Gogh. This intangible value is what auctioneer Philip Hook calls “positive romantic baggage.” He explains it as the “back-story to artists’ lives that affects our appreciation of them and the works they produce. Quite apart from the importance to art history of van Gogh and his significance as the originator of Expressionism, there is a tragic romance to his life that enhances his value to the collector, emotionally and financially.”9

Thieves steal van Gogh paintings for their value and perhaps for love.

Other van Gogh paintings stolen and later recovered:

Blossoming Chestnut Branches in 2008 from the Foundation E.G. Bührle in Switzerland

The Fortifications of Paris with Houses (The Ramparts of Paris) in 2003 from the Whitworth Art Gallery at The University of Manchester in London

• In 1998, Weaver’s Interior, Four Cut Sunflowers, and The Potato Eaterswhile on loan at the Kroller-Muller Museum

• From the Van Gogh Museum in 1991, Still Life Vase with Fifteen Sunflowers, The Potato Eaters, Still Life with Irises, Wheatfield with Crows, and Still Life with Bible

• In 1990, Digging Farmer’s Wife, The Sitting Farmer’s Wife, and Wheels of the Water Mill in Gennep from the Noordbrabants Museum in Den Bosch, the Netherlands

• Stolen twice in 1975, and recovered twice, Breton Women (after Emile Bernard) from the Municipal Museum in Milan

Van Gogh’s works at auction have had a very high sell-through rate. For more information, and to view his sales compared to other artists or to stock indices, check out artnet Analytics Reports.

To see prices for all works that have been up for sale at auction by Vincent van Gogh, search our Price Database.

Legal details of stolen art are best clarified by art lawyers.

1 Sandy Nairne, Art Theft and the Case of the Stolen Turners, (Reaktion Books: London, 2012).

2 Marc Edo Tralbaut, Vincent van Gogh, (The Viking Press: New York, 1969).

3 “Faulty alarms blamed for Van Gogh theft in Egypt,” BBC, August 22, 2010,
http://www.bbc.co.uk/news/entertainment-arts-11053314.

4 Tralbaut, 127.

5 “Two van Gogh Works Are Stolen in Amsterdam,” The New York Times, December 8, 2002,http://www.nytimes.com/2002/12/08/world/two-van-gogh-works-are-stolen-in-amsterdam.html.

6 “Van Gogh Museum offers reward for information about theft of paintings,” Van Gogh Museum Press Releases, June 21, 2003,http://www.vangoghmuseum.nl/vgm/index.jsp?page=7995&lang=en.

7 “15 officials charged with negligence over van Gogh theft,” Egypt Independent, August 23, 2010,http://www.egyptindependent.com/news/15-officials-charged-negligence-over-van-gogh-theft.

8 Ed Caesar, “What Is the Value of Stolen Art, The New York Times, November 13, 2013,http://www.nytimes.com/2013/11/17/magazine/what-is-the-value-of-stolen-art.html?ref=design.

9 Philip Hook, “What sells art?” The Guardian, November 18, 2013,http://www.theguardian.com/artanddesign/2013/nov/18/what-sells-art.

Culled from artnet

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Collector Leaves €1m Chinese Scroll on Geneva-bound Train

Francesco Plateroti, with informative material to assist in the search for his Chinese scroll Photo via: Le Dauphine
Francesco Plateroti, with informative material to assist in the search for his Chinese scroll Photo via: Le Dauphine

Of all the things that one could leave behind on a train, a €1 million 13th-century Chinese scroll is probably one of the most excruciating options. Yet, according to the Telegraph, this is precisely what happened to the art collector Francesco Plateroti.

A few days ago, Plateroti boarded a high-speed train to return to Geneva from Paris, where he had travelled to show the valuable Chinese scroll, entitled The Banquet of Immortals on the Terrace of Jade, at an art exhibition.

But when the Franco-Italian collector arrived to his final destination, near Geneva, he left the antique artwork, crafted by the artist Wang Zhenpeng during the Yuan dynasty, on a train seat.

“I was crushed when I realized I didn’t have it with me,” Plateroti toldThe Local. “It was a massive shock.”

Plateroti only realized that he had left the artwork behind once the train had left the platform. He alerted staff and the train was exhaustively searched, but the scroll was nowhere to be seen. “I call the Swiss department for lost property three times a day,” Plateroti said.

Plateroti has managed to remain optimistic about the possibility of retrieving the scroll, which can’t be legally sold or exhibited without its certificate of authenticity. The collector has launched an appeal for witnesses travelling on the 8:11pm TGV 9789 from Paris to Geneva on November 21, offering a reward if the scroll is safely returned.

However, he has not encountered a lot of good will as of yet. “People take advantage of my misfortune,” Plateroti lamented. “They are calling me to say they have the painting and that they will send it once I put the reward money in their bank accounts. This all makes having lost the painting a lot worse.”

Culled From artnet

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Artist Creates Hyper-Realistic Drawings On Wooden Boards

Ivan Hoo, a talented hyper-realistic artist from Singapore………

Hoo uses colored pencils, pastels and ink to create his realistic artwork. He works on boards of wood, which give the background a unique texture.

I always love to draw realistic art or artworks that tease the eyes and the brain, by working on wood, it gives me a lot of dimension and ideas to create something close to reality and it works really well with pastels, too.

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Street Artist Jay Shells Paints Hip Hop-Inspired Mural in Brooklyn

The mural is located at the intersection of Broadway and Myrtle Ave. in Brooklyn Photo: Aymann Ismail via Animal

The street artist Jay Shells has painted a mural in Brooklyn featuring lyrics by the hip hop artist Mos Def, Complex Magazine reports. The mural is a continuation of Shells’ Rap Quotes project, in which he installed street signs with rap lyrics. In a video, Shells explains that the project “plots the…corners and very specific locations mentioned in rap songs.”

“I was always hoping that the street sign project would open the door for something more permanent,” Shells told Animal. “Although I realize it wouldn’t always be possible to do a wall or a plaque on the floor for every single [rap quote], I thought it would be great to get a good handful of them to be more permanent.”

The mural, located near the intersection of Broadway and Myrtle Avenue, says: “I’m blacker than midnight on Broadway and Myrtle,” referring to the location that Mos Def mentioned in his song Mathematics. “I have found that this is an interesting way to interact with the public, to get a message out and to hear back what the public is telling me,” Shells toldComplex.

Shells first started attracting attention with his Subway Etiquette project, in which he put up screen prints and posters in New York City’s subway stations, trains, and platforms, urging New Yorkers to be respectful to each other while using the public transport network.

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Interview with Yinka Shonibare

Yinka shonibare

Yinka Shonibare was born in London and lived in Nigeria with his family until the age of 16, when he moved back to London for school. At age 18, he fell ill with a debilitating disease that rendered one half of his body paralyzed. With the assistance of artists, Shonibare creates paintings, sculpture, photography, and installations that explore the “artificial construct” of the Western art canon. His signature is his use of what appears to be African textiles that, with closer investigation, have cross-cultural roots—the main exporters of this type of textile are based in the UK and the Netherlands. In another cross of cultures, Shonibare uses the textiles to reenact classic scenes in art history, for instance Fragonard’s The Swing or Leonardo da Vinci’s The Last Supper.His poignant work has been widely recognized and exhibited internationally, including at the Venice Biennale, documenta XI, and the Brooklyn Museum. In 2004, he was on the shortlist for the Turner Prize for his “Double Dutch” exhibition at Stephen Friedman Gallery and the Museum Boijmans Van Beuningen in Rottendam. He lives and works in London.

When did you know you wanted to be an artist?  
When I was at school. I enjoyed art lessons and knew I wanted to carry it on as a career

Yinka Shonibare, Nelson's Ship in a Bottle, Fourth plinth Comission at Trafalgar Square, London , fibreglass, steel, brass, resin, UV ink on printed cotton textile, linen rigging, acrylic and wood, 114 1/8 x 206 3/4 x 92 1/2in.

What inspires you?
I am often inspired by artists and musicians who think outside the box and who are not ‘mainstream’ in their approach. I like the work of Yayoi Kusama. I like Fela Kuru, and I like the musician Tricky because he’s creative and interesting to watch.

Yinka Shonibare, Self Portrait (After Warhol) 1, unique screen print, digital print and hand painted linen, 53 x 52 7/8 x 2 1/4in.

If you could own any work of modern or contemporary art, what would it be?  
It would be a James Turrell light installation because I’m going through a spiritual period, and I want something I find calm and spiritual, such as his light pieces.

Yinka Shonibare,  Adam and Eve  (2013) Fibreglass mannequins, Dutch wax printed cotton textile, fibreglass, wire and steel baseplates, 112 x 91 x 45 in.

What are you working on at the moment?
I have two exhibitions in New York in the spring that I am working on, and a large exhibition later next year that will tour Asia. I am always thinking toward the next exhibition

When not making art, what do you like to do?  
To run a supper club, read books, and go to the cinema. I also like going to the opera, watching live music, and going to the ballet.

 

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Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

When scouring through the minute details of artist Cayce Zavaglia’s embroidered portraits (Below) , it’s difficult imagine each work is scarecely larger than 8″ x 10″. Her process, which she refers to as both “thread painting” and “renegade embroidery,” begins with a photoshoot of each subject, namely friends, family, and fellow artists. Roughly 100-150 photos are winnowed down to a single selection which she then begins to embroider with one-ply embroidery thread on Belgian linen. She shares via her artist statement:

Over the years, I have developed a sewing technique that allows me to blend colors and establish tonalities that resemble the techniques used in classical oil painting. The direction in which the threads are sewn mimic the way brush marks are layered within a painting which, in turn, allows for the allusion of depth, volume, and form. My stitching methodology borders on the obsessive, but ultimately allows me to visually evoke painterly renditions of flesh, hair, and cloth.

Zavaglia is also interested with the backs of her portraits, a tangled mesh of thread and knots resembling a more abstract version of the exacting portrait on the reverse. In a return to her roots as a painter, she createsgouache and large format acrylic paintings of the backsides, effectively creating a painting of an emboirdery of a photograph. Included here are several works from the last two years including works that will be on view at Art Miami this December through Lyons Wier Gallery. (via Booooooom

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

Thread Paintings: Densely Embroidered Portraits by Cayce Zavaglia portraits photorealism embroidery

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Big Art For Little Kids

These are illustrations from a children’s Art Book about the 30 most famous paintings and their funny (or sometimes not so funny) history!

Written and illustrated by Belgian children’s book writer Thaïs Vanderheyden. Published by Borgerhoff & Lamberigts in 2013.

Munch

Da Vinci

David

Klimt

Mondriaan

Vermeer

Piero della Francesca

Van Gogh

Keith Haring

Pollock

Hockney

Matisse

Picasso

Monet

Cezanne

Van Eyck

An Artist’s Animated Primer on How to Talk About Ferguson

For many Many people who do not have a hint about what has been happening Ferguson only relying on hearsay, artist and writer Molly Crabapple has something for you.

In the lead-up to Monday’s announcement, Crabapple—perhaps best known for her graphics for Occupy Wall Street and her attention-grabbing illustrated reports for Vice—released an expertly animated stop-motion video, dubbed “How Ferguson Showed Us the Truth About the Police.” In it, Crabapple does what she does best: uses her accessible style of art to carry an unusually sharp political message. In a concise three-and-a-half minutes, she recounts the basics of the case, reels off the statistics of the horrible realities of police violence against African Americans, places the Brown case in relation to other recent cases across the country, and explains why activists have felt compelled to take a stand. All this, accompanied by some snappy watercolor animation.

It is, in other words, the perfect primer for that special in-law who just doesn’t get what people are so angry about. As Gary Younge put it in the Guardian, “[T]hose who misunderstand the verdict as an isolated incident are doomed to misunderstand everything that flows from it: from the riots, justifications, denials and rationalisations to the calls for calm and expressions of rage.” For some, then, sharing this kind of clear explanation could be the gift that keeps on giving.

The Police Is Your Friend.

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